May 13, 2015
In this interview with InterAccess Programming Coordinator Marissa Neave, curatorial intern Amber Christensen discusses her approach to curating new media work, and gives a hint of what's to come for the Emerging Artists Exhibition this fall.
Apr 13, 2015
In its 14th year, the InterAccess Emerging Artists Exhibition, curated by a selected emerging curator, features new media work from local and national early career artists, artists transitioning to new media/technology practices and upper year post-secondary and graduate students.
Sep 2 - 26, 2015
In its 14th year, the InterAccess Emerging Artists Exhibition, curated by a selected emerging curator, features new media work from local
Feb 18 - 22, 2015
A community-oriented festival dedicated to showcasing experiments in digital games, interactive experiences and new media art.
May 26, 2015
Rhinoceros is a powerful 3D modelling software that can be used for many applications.
Jun 13, 2015
In this session, Adrienne Crossman and Zach Pearl consider the perennial challenges of curating new media art, offering their perspectives as curators from within, and without, the institution. Time-based, sound-based, and technologically driven artworks bring with them a host of obstacles in traditional gallery settings. Rapid gentrification and the rising cost of space presents the added challenge of securing affordable exhibition venues. Crossman and Pearl draw from their experiences to bring forth examples of adaptable curatorial practice.
Jul 11, 2015
Marc De Pape and Michael Trommer both employ a process of translation in their multidisciplinary, sound-centred practices. While De Pape’s “The Chime” translates urban movement into a cinematic score, Trommer’s “Transmissions from the Technological Sublime” translates a series of urban field recordings into brooding, nocturnal animation. In this session, De Pape and Trommer discuss how their approaches to sound and place both overlap and diverge, while attending to the aesthetic concerns of their non-visual media.
Aug 8, 2015
In an era of dwindling privacy, investigating the spatial and social infrastructures of surveillance has become a central concern for artists, designers and researchers alike. This session brings together the Department of Unusual Certainties (Christopher Pandolfini and Simon Rabyniuk), and Scott Sørli, to discuss the subversive and artistic potential of technologies of control.