Exhibitions

The Vector Festival Game Art Residency, curated by Bracy Appeikumoh, supports gamemakers in their development of conceptual video games, investigating video games as time capsules, time machines, and methods of contemporary memory-making.

The festival’s flagship exhibition, curated by Dallas Fellini, considers notions of permanence associated with the web, repositioning the anti-archival and ephemeral qualities of digital memory as generative, reframing decay as a distinct but equal counterpart to growth.

Server Incognito is a website that only exists when connection is lost and you no longer wish to associate with your identity. The project challenges the expectation of 24/7 digital permanence, embracing the idea that the internet, like nature, should have cycles of activity and dormancy.

Magpie Online is a docu-installation that explores how virtual worldbuilding reshapes identity and connection.

Celebrate the opening of InterAccess's new programming space with a survey exhibition of Toronto's current digital arts scene.

A retrospective of the 2024 ROB|ARCH Conference, aiming to create space for discussion across technical and critical discourses that welcomes a diverse group of researchers, artists, and thinkers in robotics and beyond.

An emergent polyphonic experience, Resonance combines listening with computational actions, bringing to light internal biases in dominant Western European sound.

The 23rd Annual IA Current Exhibition, DINNER AT THE AUTOMAT, curated by Casper Sutton-Fosman, explores the promises and failures of automation and artificial intelligence.

A solo exhibition exploring how the digital environment subjugates both human and natural environments through a data-driven video installation.

Our five gamemakers in residence have been hard at work making games exploring how technology has enriched/hindered pursuits for sexual intimacy and self-understanding; come join us in celebration, and play some games.

The intersection of ecology and technology is explored through new media artworks focused on disintegration, decomposition, and obsolete technology.

Come text, flirt, and chat with these interactive LED embroidery works by Kenzie Housego.

A multi-site exhibition along Geary Ave exploring augmented reality’s ability to expand upon physical perceptions of the real world with objects and assets only perceivable through a digital medium, A phosphene rifts, curated by Hearth, explores the mutant materiality and particular tangibilities in the spontaneous creation unique to AR.

A collection of new media artworks and interactive installations seeking to immerse participants into embodied experiences of flourishing mutualisms and resounding simultaneity.

+1-home is custom-made to InterAccess's immersive projection environment as a two-player interactive experience, developed with the support of InterAccess's inaugural IA 360 Artists-in-Residence program.

2023 Media Arts Prize Winner Exhibition; once more, once again engages with the revitalization of found objects activated through an orchestral and unorthodox play of sight and sound.

2023 Media Arts Prize Winner Exhibition; A personal narrative of the artist, Kaboos exhibits Mehrnaz Abdoos' nightmares and how she pieces her life together with them through a 3D rendered environment.

The 22nd Annual IA Current Exhibition asks the audience what makes love real: the lover, the loved one, or the medium by which love is conveyed? Curated by Gladys Lou.

Partnering with Indigenous Youth Roots (formerly known as Canadian Roots Exchange), InterAccess is thrilled to present Digital Constellations: Making Our Own Seat at the Table�an official selection feature at the 2023 imagineNATIVE Film + Media Arts Festival. Curated by Amanda Amour-Lynx.

Presented in honour of InterAccess's 40th anniversary this exhibition celebrates Telidon, the Canadian-made technology that inspired the artists who founded InterAccess in 1983.