Gisèle Trudel
Featuring the video sculptures:
Timepiece: Kiss the Future – a video sculpture that utilizes a newly adapted version of the original 1838 Wheatstone stereoscope in combination with 3D computer animation to extend the potential of 2D video images in order to examine the ways in which representations of space and the body are moulded by the belief systems and technologies of various time periods.
Diamond-cutter is a video sculpture housed in an elegant wooden cabinet that reveals an immaterial world of incandescent bodies and consciousnesses that travel through time. Luminous and vaporous, the images generated by the piece move with the transient quality of dream states.
Gisèle Trudel graduated with a Bachelor of Fine Arts in 1984. She works as a video editor and digital compositing artist, and is the New Media Coordinator at TechnOboro in Montreal. Trudel has exhibited her work in Canada, Mexico, Germany, and Morocco.
Click here to view an archive of the original Giséle Trudel exhibition website.
Past exhibition
Oct 19 - 23, 2021
What We Are Missing―Rah, Lux Logan, Malik McKoy
A video installation curated by Lorna Mills, screened on the doors of Artscape Wychwood Barns as part of the City of Toronto's BigArtTO program.
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Past exhibition
Sep 15 - Oct 9, 2021
Geofenced―Works by Scott Benesiinaabandan, Cat Bluemke & Jonathan Carroll, Adrienne Matheuszik, and Jenn E Norton
Four new augmented reality artworks animate InterAccess's gallery and Toronto's Davenport neighbourhood, connecting viewers to the forgotten histories, contemporary politics, and faraway futures of place.
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Past exhibition
Jul 15 - Aug 7, 2021
dis-ease―Stefana Fratila, Driftnote, and Racquel Rowe
Curated by Rea McNamara, Vector Festival’s flagship exhibition dis-ease considers post-digital performativity and intimacies through a four-week mail art programme.