Gisèle Trudel
Featuring the video sculptures:
Timepiece: Kiss the Future – a video sculpture that utilizes a newly adapted version of the original 1838 Wheatstone stereoscope in combination with 3D computer animation to extend the potential of 2D video images in order to examine the ways in which representations of space and the body are moulded by the belief systems and technologies of various time periods.
Diamond-cutter is a video sculpture housed in an elegant wooden cabinet that reveals an immaterial world of incandescent bodies and consciousnesses that travel through time. Luminous and vaporous, the images generated by the piece move with the transient quality of dream states.
Gisèle Trudel graduated with a Bachelor of Fine Arts in 1984. She works as a video editor and digital compositing artist, and is the New Media Coordinator at TechnOboro in Montreal. Trudel has exhibited her work in Canada, Mexico, Germany, and Morocco.
Click here to view an archive of the original Giséle Trudel exhibition website.
Past exhibition
Mar 19 - Apr 5, 2025
Beyond Optimization: ROB|ARCH Retrospective
A retrospective of the 2024 ROB|ARCH Conference, aiming to create space for discussion across technical and critical discourses that welcomes a diverse group of researchers, artists, and thinkers in robotics and beyond.
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Past exhibition
Jan 15 - Feb 15, 2025
Resonance―Angelina Almanza
An emergent polyphonic experience, Resonance combines ‘listening’ with computational actions, bringing to light internal biases in dominant Western European sound.
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Past exhibition
Nov 6 - Dec 7, 2024
DINNER AT THE AUTOMAT ―Casper Sutton-Fosman
The 23rd Annual IA Current Exhibition, DINNER AT THE AUTOMAT, curated by Casper Sutton-Fosman, explores the promises and failures of automation and artificial intelligence.