Gisèle Trudel
Featuring the video sculptures:
Timepiece: Kiss the Future – a video sculpture that utilizes a newly adapted version of the original 1838 Wheatstone stereoscope in combination with 3D computer animation to extend the potential of 2D video images in order to examine the ways in which representations of space and the body are moulded by the belief systems and technologies of various time periods.
Diamond-cutter is a video sculpture housed in an elegant wooden cabinet that reveals an immaterial world of incandescent bodies and consciousnesses that travel through time. Luminous and vaporous, the images generated by the piece move with the transient quality of dream states.
Gisèle Trudel graduated with a Bachelor of Fine Arts in 1984. She works as a video editor and digital compositing artist, and is the New Media Coordinator at TechnOboro in Montreal. Trudel has exhibited her work in Canada, Mexico, Germany, and Morocco.
Click here to view an archive of the original Giséle Trudel exhibition website.
Past exhibition
Mar 4 - May 9, 2020
filling the Klein bottle (y) {―Xuan Ye & Wenxin Zhang
An exhibition curated by Belinda Kwan that probes infrastructures of wanderlust and the homeomorphic transformations between colonialism and tourism.
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Past exhibition
Jan 15 - Feb 15, 2020
The Upper Side of the Sky―Jawa El Khash
InterAccess presents a solo exhibition by Jawa El Khash, winner of the 2019 InterAccess Media Arts Prize
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Past exhibition
Nov 6 - Dec 7, 2019
Scaffolds I can no longer see―Curated by Sophia Oppel and Philip Leonard Ocampo
An exhibition by IA Current co-curators Sophia Oppel and Philip Ocampo that reveals the unseen algorithms that govern digital infrastructures.