Nov 26 - Dec 18, 1999
7-10PM

Gisèle Trudel

Gisèle Trudel. Curated by Nina Czegledy

Featuring the video sculptures:

Timepiece: Kiss the Future – a video sculpture that utilizes a newly adapted version of the original 1838 Wheatstone stereoscope in combination with 3D computer animation to extend the potential of 2D video images in order to examine the ways in which representations of space and the body are moulded by the belief systems and technologies of various time periods.

Diamond-cutter is a video sculpture housed in an elegant wooden cabinet that reveals an immaterial world of incandescent bodies and consciousnesses that travel through time. Luminous and vaporous, the images generated by the piece move with the transient quality of dream states.

Gisèle Trudel graduated with a Bachelor of Fine Arts in 1984. She works as a video editor and digital compositing artist, and is the New Media Coordinator at TechnOboro in Montreal. Trudel has exhibited her work in Canada, Mexico, Germany, and Morocco.

Click here to view an archive of the original Giséle Trudel exhibition website.

Past exhibition
Jul 11 - 14, 2019

The Great Derangement―Iodine Dynamics, Brianna Lowe, Kris Pierce, Zeesy Powers

An exhibition negotiating the lunacies of human-environmental interaction by drawing on the tropes, technologies, and aesthetics of videogame culture

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Past exhibition
Jul 11 - 14, 2019

Bot in the Woods | GIF―Sarah Imrisek

A dual-channel GIF screening in InterAccess's front window

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Past exhibition
Jul 11 - Aug 17, 2019

Future Relics―Curated by Katie Micak and Martin Zeilinger

Vector Festival's 2019 flagship exhibition exploring outlooks on digital culture and the environment that oscillate between the playful and the critical, the hopeful and the dystopian.

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