Jan 23 - Feb 16, 2019

Pollinating Proxies

Colin Rosati

InterAccess is pleased to present a solo exhibition of works by the recipient of the 2018 InterAccess Media Arts Prize, Colin Rosati. For over twenty years, this award has been granted annually to a graduating Integrated Media student at OCAD University whose work exhibits excellence and innovation in new media practice. 

In this exhibition, Colin Rosati presents a multimedia installation, Pollinating Proxies, alongside his thesis work, Hot Sugar Spoils in the Sun. Together, the works address the desire for and consumption of energy, paralleling the hummingbird’s need for nectar with humankind’s hunger for electricity. 

Opening Reception
January 23, 2019
7pm-9pm

About the Artist

Colin Rosati is a Toronto-based interdisciplinary installation artist that uses video, software, and electronics. His practice balances the often polarized worlds of technological immersion and engagement with agency, vitality, and care. Rosati graduated from OCAD University’s Integrated Media program in 2018, with a focus on media that interrogates emergent behaviours in the North American “attention economy.” Colin has exhibited both nationally and internationally, and was the first winner of EQ Bank’s Emerging Digital Artist Award in 2015.

 

Past exhibition
Nov 7 - Dec 8, 2018

Preservation and Permanence―Curated by Amanda Low and Tommy Truong

An exhibition curated by IA Current Curators Amanda Low and Tommy Truong that considers loss in the age of rapid technological obsolescence.

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Past exhibition
Sep 14 - Oct 27, 2018

Loner Culture―Thirza Cuthand, Kite, and Fallon Simard

Loner Culture is a group exhibition curated by Lindsay Nixon, featuring media works by Thirza Cuthand, Kite, and Fallon Simard.

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Past exhibition
Jul 12 - Aug 18, 2018

Born Digital―Adam Basanta, A.M. Darke, Joseph DeLappe, Judith Doyle, Ann Hirsch, Chris Kerich, and Lu Yang

Expanding on Vector Festival 2018's theme, this flagship exhibition features performative artist positions that explore how human connections are framed by ‘the digital’ and how they are dictated by technological apparatuses.

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