Nov 11 - Dec 11, 2004
Ed Osborn's Harvester requires that visitors not touch the piece. For most people familiar with electronic art, the hesitation to actively experiment with installations has long been diminished and is in fact the most common denominator of the medium. Osborn's piece is part of a trend that explores how media art that is seemingly low-tech and code-free can be as significant as work that is visibly complex in both construction and meaning.
Oct 21 - 31, 2004
100(11) Instruction Works is a series of daily performances taking place during the 2004 7a*11d International Performance Art Festival. The instructive projects create an opportunity to explore the many architectures of Toronto – physical, virtual and mental. A wireless camera will be in use during performances to experiment with the notion of interfacing urban space with a performance piece, and in turn, with a global population. 100(11) Instruction Works is multidisciplinary artist kanarinka's continuing exploration of invisible things – spaces, frameworks and contexts.
Sep 9 - Oct 16, 2004
Feedback provides and elicits response. Whether it is received from humans or machines, feedback is cyclical – looping over time, encouraging great debate and action. It is also a response that is subjective; but while we may conceive of mechanical and computational feedback as predetermined and therefore predictable, this exhibition hopes to demonstrate that it can be otherwise.
Jul 2 - 24, 2004
(six) Degrees―Natalie Conliffe, James Mitchison, Aaron Phelan and Josh Raskin, Georgia Dunne, Alex Kurina and Stephane Beaudet
Curated by Heather Corcoran and Erin Peck
At some point every person has unexpectedly discovered a link to another with whom he or she previously had no relationship, an experience that has come to be known as "six degrees of separation." There is a concrete cultural notion that we are somehow all connected, a kind of underlying network governing our communities and influencing our attachments.
May 27 - Jun 19, 2004
InterAccess, in collaboration with the 2004 Subtle Technologies Festival, presents the premier public exhibition of Infrasense, a web robot installation created by Robert Saucier (Montreal) and art collective KIT (Canada, UK, France).
Apr 10 - 17, 2004
Instant Places is a series of installation performances that work with locally gathered audio and video to transform the host gallery into an immersive space. The raw materials of the particular place and time are transformed through a process of improvisation using live sampling, microphone and mixer feedback, voice, contact pickups and effects. The video work deals with the transformation of recently shot and edited footage, using the real-time manipulation tools VDMX, Isadora, and MAX/Jitter.
Mar 11 - 20, 2004
Coordinated by Jennifer LaFontaine and Camille Turner
The Story Project is an exhibition that brings together works by women from diverse cultures and lived experiences that use photography and digital media to tell their stories and express their visions for social change.
Feb 5 - 21, 2004
Booth is an exploration of the time it takes to summarize a life or capture the spirit of an era. The exhibition includes Pierre Tremblay's Portraits in a Sentence and Skawennati Tricia Fragnito's 80 Minutes, 80 Movies, 80s Music, two artworks that use the minute-long video as a framework for self-expression. In each case, the artist has invited friends and acquaintances to use clearly established parameters – the single sentence, the song fragment, the rule of one – to fashion their contribution to the project.
Oct 22 - Nov 15, 2003
Curated by Barbara Fischer and Catherine Crowston
Over the past few years there has been an explosion of interest among visual artists in the popular culture of music's diverse yet ubiquitous manifestations. Re-play explores the ways in which established and emerging Canadian artists have taken up popular music, its forms of musical and visual expression, in such mediums as drawing, sculpture, video, performance and installation.