Exhibitions

Events

Exhibitions

Workshops
Current exhibition
Feb 24 - Mar 27, 2021

QUEERSPHERE―Curated by Sean Sandusky and Dana Snow

A virtual exhibition by IA Current co-curators Sean Sandusky and Dana Snow that creates space for Queer and Trans dreamographies.

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Past exhibition
May 19 - Jun 9, 2001

Mid Air―Tegan Smith, Ken Gregory and Andrea Polli

For a moment a thing exists between two states, suspended. Lifted off the ground, it defies gravity. Placed in an arbitrarily measured space, it shifts its scale. En route between its source and its destination, it moves on airwaves or is telepresent. Mid Air is an exhibition of sculptural works that draw our attention to air as a medium of sound and vision, and as an elemental life force.

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Past exhibition
Apr 14 - 28, 2001

Wide―David Rokeby and Elizabeth vander Zaag

Wide is an exhibition angle that draws attention to the pervasiveness of hybrid practices and encourages their nomadic inclinations. It creates a temporary network that can be entered through any one of eighteen portal spaces. Travelling the city, encountering the situations that the exhibition comprises, the Wide audience follows a flexible circuit in which each concentrated moment rebounds back to the collecting question: What happens to the screen when its shards are everywhere?

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Past exhibition
Nov 10 - Dec 9, 2000

Intimate Perceptions―Jon Baturin, Orshi Drozdik, Tibor Vamos and Hilda Kozari, Nell Tenhaaf, Jack Butler, Nina Czegledy and Eric Fong

Communication technologies and biotechnologies are the crucial tools recrafting our bodies.
– Donna Haraway

What happened in the middle of the twentieth century cannot simply be wiped off the table. It has fundamentally changed our relationship to what we can call (or want to or have to call) human.
– Gerburg Treusch-Dieter

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Past exhibition
Sep 22 - Oct 15, 2000

Transmedia 2000―Curated by Micheal Alstad and Camille Turner

Transmedia 2000 is a three week exhibition of works by media artists shown on a 5 foot by 8 foot LED video billboard at the corner of Yonge and Eglinton streets in midtown Toronto. Each work exists as a fifteen-second clip exhibited on the billboard at intervals between commercial advertisements.

Exhibited artists are Liu Wei, Lucinda Schreiber, Tanya Read, Rod Prouse, Kostya Mitenev, Louise McKissick, Willy LeMaitre and Eric Rosenzveig, Szabolcs Kisspal, Maya Khlobystina, Michelle Kasprzak, Jhave and Libby Hague.

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Past exhibition
May 30 - Jun 17, 2000

From Here to There...―Roark Andrade and Damian Lopes

Curated by Kulwinder Bajar and Mark Jones

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Past exhibition
Apr 6 - May 6, 2000

The Appearance Machine ―Willy LeMaitre and Eric Rosenzveig

The Appearance Machine is a perpetual animation device. It slowly grinds away, manufacturing scatological dramas from wrappers, packing material and other debris salvaged from its immediate surroundings. These objects form the set and become characters of a self-evolving, televisual world that is delivered to select locations via live feed from a broadband Internet link.

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Past exhibition
Mar 4 - 18, 2000

Pandora's Box―Christian Bock, Joe Davis, Francis LeBouthillier, Dinka Pignon, Victoria Scott and Kent Tankred

Curated by Graham Smith

The story of Pandora is one of curiosity and risk, of choice and unforeseen consequences. The Pandora’s Box exhibition uses this familiar tale to explore some of its obvious parallels to our contemporary encounter with technology.

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Past exhibition
Jan 28 - Feb 19, 2000

Intercourse―Istvan Kantor

Machinery and raw emotion collide in this drama of direct encounter between the human body and its technological extensions. In the most recent manifestation of The File Cabinet Project, installation and performance artist Istvan Kantor links his ongoing exploration of the sculptural system and kinesonic potential of the file cabinet to the abused and eroticized human body.

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Past exhibition
Nov 26 - Dec 18, 1999

Gisèle Trudel―Gisèle Trudel. Curated by Nina Czegledy

Featuring the video sculptures:

Timepiece: Kiss the Future – a video sculpture that utilizes a newly adapted version of the original 1838 Wheatstone stereoscope in combination with 3D computer animation to extend the potential of 2D video images in order to examine the ways in which representations of space and the body are moulded by the belief systems and technologies of various time periods.

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