Apr 14 - 28, 2001
Wide―David Rokeby and Elizabeth vander Zaag
Wide is an exhibition angle that draws attention to the pervasiveness of hybrid practices and encourages their nomadic inclinations. It creates a temporary network that can be entered through any one of eighteen portal spaces. Travelling the city, encountering the situations that the exhibition comprises, the Wide audience follows a flexible circuit in which each concentrated moment rebounds back to the collecting question: What happens to the screen when its shards are everywhere?
Nov 10 - Dec 9, 2000
Intimate Perceptions―Jon Baturin, Orshi Drozdik, Tibor Vamos and Hilda Kozari, Nell Tenhaaf, Jack Butler, Nina Czegledy and Eric Fong
Communication technologies and biotechnologies are the crucial tools recrafting our bodies.
– Donna Haraway
What happened in the middle of the twentieth century cannot simply be wiped off the table. It has fundamentally changed our relationship to what we can call (or want to or have to call) human.
– Gerburg Treusch-Dieter
Sep 22 - Oct 15, 2000
Transmedia 2000―Curated by Micheal Alstad and Camille Turner
Transmedia 2000 is a three week exhibition of works by media artists shown on a 5 foot by 8 foot LED video billboard at the corner of Yonge and Eglinton streets in midtown Toronto. Each work exists as a fifteen-second clip exhibited on the billboard at intervals between commercial advertisements.
Exhibited artists are Liu Wei, Lucinda Schreiber, Tanya Read, Rod Prouse, Kostya Mitenev, Louise McKissick, Willy LeMaitre and Eric Rosenzveig, Szabolcs Kisspal, Maya Khlobystina, Michelle Kasprzak, Jhave and Libby Hague.
May 30 - Jun 17, 2000
From Here to There...―Roark Andrade and Damian Lopes
Curated by Kulwinder Bajar and Mark Jones
Apr 6 - May 6, 2000
The Appearance Machine ―Willy LeMaitre and Eric Rosenzveig
The Appearance Machine is a perpetual animation device. It slowly grinds away, manufacturing scatological dramas from wrappers, packing material and other debris salvaged from its immediate surroundings. These objects form the set and become characters of a self-evolving, televisual world that is delivered to select locations via live feed from a broadband Internet link.
Mar 4 - 18, 2000
Pandora's Box―Christian Bock, Joe Davis, Francis LeBouthillier, Dinka Pignon, Victoria Scott and Kent Tankred
Curated by Graham Smith
The story of Pandora is one of curiosity and risk, of choice and unforeseen consequences. The Pandora’s Box exhibition uses this familiar tale to explore some of its obvious parallels to our contemporary encounter with technology.
Jan 28 - Feb 19, 2000
Machinery and raw emotion collide in this drama of direct encounter between the human body and its technological extensions. In the most recent manifestation of The File Cabinet Project, installation and performance artist Istvan Kantor links his ongoing exploration of the sculptural system and kinesonic potential of the file cabinet to the abused and eroticized human body.
Nov 26 - Dec 18, 1999
Gisèle Trudel―Gisèle Trudel. Curated by Nina Czegledy
Featuring the video sculptures:
Timepiece: Kiss the Future – a video sculpture that utilizes a newly adapted version of the original 1838 Wheatstone stereoscope in combination with 3D computer animation to extend the potential of 2D video images in order to examine the ways in which representations of space and the body are moulded by the belief systems and technologies of various time periods.
Sep 10 - Oct 9, 1999
Game Girls ―Judy Cheung, Paula Gignac, Nancy Paterson, Cheryl Sourkes and Carla J. Wolf. Curated by Kathleen Pirrie Adams
Game Girls is an exhibition of interactive installations, CD-ROMs and video projections that play fast and loose with the usual rules of the game. Using shooting gallery, arcade kiosk and computer game structures as a basis for their work, each artist offers a highly individual answer to the games industry's "holy grail" question: What games do girls want to play?