Jan 23, 2016
InterAccess is pleased to join the Images Festival and TYPOLOGY in the presentation of The Space of Production: Notes on Technical Support, featuring Victoria Brooks of EMPAC.
Nov 26, 2015
Thursday, November 26, 2015
Oct 22, 2015
Join visiting artists and Glitch Wizard co-creators Connor Bell and Allan Lavell on their quest to empower anyone to create glitch new media art through mobile apps. Reception to follow.
Oct 21, 2015
Wednesday, October 21, 2015
RSVP: firstname.lastname@example.orgInterAccess is pleased to host a Media Arts grant-writing seminar with the Toronto Arts Council’s Visual/Media Arts Officer Peter Kingstone. Peter will lead an informal discussion on how to prepare your grant application for the TAC’s Media Artists Program. Bring your proposals, ideas, and questions and gain valuable knowledge about preparing a successful grant application in the Media Arts section.
Sep 18, 2015
InterAccess presents Democratizing the Sky, a free public lecture on civilian drone use by engineer Frank Sedlar
Aug 8, 2015
In an era of dwindling privacy, investigating the spatial and social infrastructures of surveillance has become a central concern for artists, designers and researchers alike. This session brings together the Department of Unusual Certainties (Christopher Pandolfini and Simon Rabyniuk), and Scott Sørli, to discuss the subversive and artistic potential of technologies of control.
Jul 23, 2015
InterAccess presents Near Future Textiles, an evening of free lectures by Sweden-based wearable technology artists and researchers Angella Mackey and David NG McCallum.
Jul 11, 2015
Marc De Pape and Michael Trommer both employ a process of translation in their multidisciplinary, sound-centred practices. While De Pape’s “The Chime” translates urban movement into a cinematic score, Trommer’s “Transmissions from the Technological Sublime” translates a series of urban field recordings into brooding, nocturnal animation. In this session, De Pape and Trommer discuss how their approaches to sound and place both overlap and diverge, while attending to the aesthetic concerns of their non-visual media.
Jun 13, 2015
In this session, Adrienne Crossman and Zach Pearl consider the perennial challenges of curating new media art, offering their perspectives as curators from within, and without, the institution. Time-based, sound-based, and technologically driven artworks bring with them a host of obstacles in traditional gallery settings. Rapid gentrification and the rising cost of space presents the added challenge of securing affordable exhibition venues. Crossman and Pearl draw from their experiences to bring forth examples of adaptable curatorial practice.