Exhibitions
Past exhibition
Jul 11 - Aug 17, 2019
Future Relics―Curated by Katie Micak and Martin Zeilinger
Vector Festival's 2019 flagship exhibition exploring outlooks on digital culture and the environment that oscillate between the playful and the critical, the hopeful and the dystopian.
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Past exhibition
Mar 6 - May 4, 2019
Film Path / Camera Path with under-titles―Daniel Young & Christian Giroux
InterAccess presents the an experimental new work by celebrated Canadian duo Daniel Young & Christian Giroux.
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Past exhibition
Jan 23 - Feb 16, 2019
Pollinating Proxies―Colin Rosati
InterAccess is pleased to present a solo exhibition of works by Colin Rosati, the 2018 recipient of the InterAccess Media Arts Prize.
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Past exhibition
Nov 7 - Dec 8, 2018
Preservation and Permanence―Curated by Amanda Low and Tommy Truong
An exhibition curated by IA Current Curators Amanda Low and Tommy Truong that considers loss in the age of rapid technological obsolescence.
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Past exhibition
Sep 14 - Oct 27, 2018
Loner Culture―Thirza Cuthand, Kite, and Fallon Simard
Loner Culture is a group exhibition curated by Lindsay Nixon, featuring media works by Thirza Cuthand, Kite, and Fallon Simard.
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Past exhibition
Jul 12 - Aug 18, 2018
Born Digital―Adam Basanta, A.M. Darke, Joseph DeLappe, Judith Doyle, Ann Hirsch, Chris Kerich, and Lu Yang
Expanding on Vector Festival 2018's theme, this flagship exhibition features performative artist positions that explore how human connections are framed by ‘the digital’ and how they are dictated by technological apparatuses.
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Past exhibition
Jul 12 - 16, 2018
Ecstasy//Normal 002―Tobias Williams
Ecstasy // Normal 002 will be looping for the duration of the festival and on view in the front window of The Brandscape. Part of Vector Festival 2018.
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Past exhibition
Jul 12 - Aug 18, 2018
Local Host 2018: Sub/Hyper/Text―Works by Sarah Friend, Soo Jin Rho, Timo Kahlen, Dina Kelberman, and Amanda Low
For the second year, Vector Festival includes a web-based exhibition in which participating artists experiment with emerging presentation formats. Many of the works included reinterpret established ‘offline’ forms of artistic expression for new online contexts.